Recently a friend of mine had a spare ticket to see Eels at the Royal Festival Hall. I have to admit, apart from hearing Novocain For The Soul and Susan’s House which came out in 1992, I had somehow managed to miss this excellent American band.Fronted by Mark Oliver Everett, or simply ‘E’, the Eels appeared as a multi-instrumentalist two piece, swapping between guitars, piano, drums, pedal steel guitar and some other instrument I’ve not seen before.
The Eels tunes can hardly be described as upbeat, Everett’s sister went through a long period of depression before killing herself with an overdose. His father, a famous quantum theorist, was an alcoholic and died when Everett was just a teenager. As you can imagine, these life events have bled through into the lyrics and even command whole songs, such as Elisabeth.
Despite this gloomy backstory, Everett managed to inject some sly humour in to the stage show by inviting a Queen look-alike – he did invite her Royal highness, but she has failed to come to any of his four gigs at the Royal Festival Hall. He also took breaks from songs to send himself up reading fan mail and reviews of his own shows. His band mate, referred to simply as ‘The Chet’ also read a couple of passage from his book Things To Tell The Grandchildren.
Frequently bleak, often raw but showing great virtuosity with which ever instrument they took up, Eels put on a stately, touching and eccentric show. Everett’s has a great and unique voice, ideally suited for his wry observations on American life and the human condition.
All in all, a great show.








