Following last week’s post informing you all that I had attended a Prince gig, I received a very upset response from a reader. Clearly, not a Prince fan, so hopefully I can make good on my hard rockin’, alternative credentials by telling you that I saw the progressive/ art rock/ alternative giants Tool, at Brixton Academy.
Tool, for the uninitiated, are an American four piece that formed during the early nineties. They make the sort of seven minute plus records that never see radio airplay and perform music of such complexity you can hear the musos weep quietly in the audience.
Or at least you could if you could hear anything other than the sombre, frequently time changing, all consuming, sonic assault of Tool.
And it’s not just the music, that grabs you by the throat (ears?), the lyrics are deeply emotional, frequently baffling and highly esoteric. Where else could you find a band singing about human evolution and that references Carl Jung in the same song (
46 & 2).
Despite some muddy and bass heavy sound problems during the first two tracks,
Jambi and Stinkfist, the band went on to play
46 & 2, an extended version of
Schism, Rosetta Stoned, Flood, Lateralus, Vicarious and Aenema. I felt the vocals could have been turned up a fraction and the sound at Hammersmith Apollo on the previous tour had set a high standard. Still, the show had all the usual hallmarks of a great night; lasers, mind melting visuals and Maynard in his Cowboy hat.
Then, as if one night wasn’t enough I was offered a ticket to go again the following night. The second night’s set list was very similar but featured the highly emotional
Wings For Marie and 10,000 Days, which I love. The sound was better from the start and there was less ‘noodling’ on synths between tracks.
All in all, Tool, along with Nine Inch Nails, have to be some of the best performing bands in alternative rock today.